0 0 0 0 0 0 █ █ 0 0 0 0 0 █ 0 0 0 0 0 0 0 0 0 0 0 0 █ 0 0 █ █ █ 0 0 0 0 █ 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 █ 1 1 1 1 1 1 1 1 1 1 █ 1 1 █ 1 █ 1 1 █ 1 1 1 █ 1 1 1 1
█ 2 2 █ 2 2 2 2 2 2 2 █ 2 2 2 2 2 2 2 2 █ 2 2 2 2 2 2 2 2 2 2 █ 2 2 2 2 2 2 2 2 2 █
3 3 █ 3 3 3 3 3 █ 3 3 3 3 3 3 3 3 3 3 3 3 █ 3 3 █ 3 3 3 3 █ 3 3 3 3 3 3 3 █ 3 3 3 3
█ 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 █ 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 █ 4 4 4 4 4 4 4 4
5 5 5 5 5 5 █ 5 5 5 5 5 5 5 5 5 5 █ 5 5 5 5 5 5 █ 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 █

Judith Rodenbeck


Judith Rodenbeck: BA, Yale University. BFA, Massachusetts College of Art. PhD, Columbia University. Teaches 20th- and 21st-century European and American art, covering intersections between modernist literature, philosophy, and visual and time-based arts. Special interest in technology and feminist theory. Author of Radical Prototypes: Allan Kaprow and the Invention of Happenings; co-author of Experiments in the Everyday: Allan Kaprow and Robert Watts—Events, Objects, Documents; contributor to catalogues for the Guggenheim Museum, the Americas Society, the Baltimore Museum of Art, and serial publications such as Artforum, Grey Room, and October, among others. Editor-in-chief of Art Journal from 2006-2009. Recipient of 2009 Creative Capital/Warhol Foundation Arts Writers Grant. SLC, 2000 Undergraduate discipline: Art History